redundancies, curated by David Schnuckel
April 3 through December 28, 2025
In the Museum of American Glass

Caught in a committed relationship to glass that is as motivated by fluency as it is
informed through failure, David Schnuckel’s devotion to technique and the conventions
of “doing things well” are prompted by a provocative and equally thoughtful exploration
of “(un)doing things well.”
The series of artworks in the exhibition redundancies are conceptual applications to a
vessel-making practice extending from ideas intermingling notions of skill, error, and
language.

SUMMER MEET THE ARTISTS SIP AND SHOP
Thursday, June 5, 2025
4 p.m. to 7 p.m.

The Museum Stores and the Museum of American Glass are staying open late for a free Summer Sip and Shop event. Join us for a relaxing summer evening at WheatonArts to meet the resident artists and shop their latest work. Enjoy light refreshments while you browse unique pieces of glass and pottery, listen to live music, and view this season’s new contemporary glass exhibits. During the Summer Sip and Shop, only the Museum Stores and the Museum of American Glass will be open. The rest of the campus will be closing at 4 p.m. Door Prizes throughout the evening.

FANTASY FAIRE
Saturday & Sunday, June 21 & 22, 2025
10 a.m. to 4 p.m.

Join us for FANTASY FAIRE, a family-friendly festival of medieval folklore & fun! Fantasy Faire features talented performers as they bring to life the “Kingdom of Wheaton” by enacting a series of interconnected shows that tell the story of the day. Interact with strolling costumed characters, portraying historical and mythical figures, throughout WheatonArts’ campus both days. Everyone is welcome to come dressed in their favorite fantasy garbs to enjoy a variety of live performances, including storytellers, dancing, and drumming, as well as sword demonstrations, retail vendors, pirate games, scavenger hunts, and archery games.

Presented in partnership with Mystic Realms, Ltd, this event is included with general admission to WheatonArts.

redundancies, curated by David Schnuckel
April 3 through December 28, 2025
In the Museum of American Glass

Caught in a committed relationship to glass that is as motivated by fluency as it is
informed through failure, David Schnuckel’s devotion to technique and the conventions
of “doing things well” are prompted by a provocative and equally thoughtful exploration
of “(un)doing things well.”
The series of artworks in the exhibition redundancies are conceptual applications to a
vessel-making practice extending from ideas intermingling notions of skill, error, and
language.

redundancies, curated by David Schnuckel
April 3 through December 28, 2025
In the Museum of American Glass

Caught in a committed relationship to glass that is as motivated by fluency as it is
informed through failure, David Schnuckel’s devotion to technique and the conventions
of “doing things well” are prompted by a provocative and equally thoughtful exploration
of “(un)doing things well.”
The series of artworks in the exhibition redundancies are conceptual applications to a
vessel-making practice extending from ideas intermingling notions of skill, error, and
language.

redundancies, curated by David Schnuckel
April 3 through December 28, 2025
In the Museum of American Glass

Caught in a committed relationship to glass that is as motivated by fluency as it is
informed through failure, David Schnuckel’s devotion to technique and the conventions
of “doing things well” are prompted by a provocative and equally thoughtful exploration
of “(un)doing things well.”
The series of artworks in the exhibition redundancies are conceptual applications to a
vessel-making practice extending from ideas intermingling notions of skill, error, and
language.

redundancies, curated by David Schnuckel
April 3 through December 28, 2025
In the Museum of American Glass

Caught in a committed relationship to glass that is as motivated by fluency as it is
informed through failure, David Schnuckel’s devotion to technique and the conventions
of “doing things well” are prompted by a provocative and equally thoughtful exploration
of “(un)doing things well.”
The series of artworks in the exhibition redundancies are conceptual applications to a
vessel-making practice extending from ideas intermingling notions of skill, error, and
language.