“Like Remembering a Dream the Day After” (Part III) Glass, neon, lemons and mixed media. Blown, mirrored, gold-leafed and carved glass and “carbonized” lemons. 10’ X 12’ X 6’, 2016. “Like Remembering a Dream the Day After” (Part II) Eggshells, rubber, glass, neon and mixed media. Blown and found glass with pinned eggshells. 10’ X 12’ X 6’, 2012-2015. Lemon Pile Light 2017 CGCA Fellow, Artists at WheatonArts, Erica Rosenfield | Erica Rosenfield Erica Rosenfeld lives and works in Brooklyn, NY. She uses glass, beads, food and found objects to create sculptures, installations [...]
“Sólo hay dos flores: la amapola y la rosa”/ Close up “The Same Way a Light Sound” Titled after the poem “The Same Way a Light Sound” or “Como leve sonido” by Luis Cernuda—exiled and Queer poet from the Generation of ’27: Spain’s Tragic Literary Generation The sculptural body of work presented comprises nine different pieces of annealed float glass. The standing forms are fragmented cylinders that have been severed, beaten or drilled, then glued or sewn back and re-envisioned through the insertion of hair. In exploring iterations of empathy and materiality they speak of new orders and systems. Slumped glass, adhesive, graphite, hair, high-density conglomerate wood Slumping, coldworking, sewing (lacing), glueing, wood carpentry, painting Installation of variable dimensions; platform measures 5 x 8 ft./ Glass forms are 31 in. tall Year 2016 “Sólo hay dos flores: la amapola y la rosa” Titled after the poem “Flores” from the book Orfebre by Leopoldo María Panero—Spaniard contemporary poet Goat kidskin translucent parchment, silk thread, acrylic glass box Hand wet stitching, box building Dimensions of installation are 15 x 15 x 15 in. Year 2015 2017 CGCA Fellow, Artists at WheatonArts, Pablo Vindel | Pablo Vindel Pablo Vindel (Spain, 1990) is a visual artist and a writer. Multilingual, individual and foreign, he embraces and explores mythologies [...]
Works & Days (Installation View) Mixed Media Works & Days was an exhibition that referenced the farmer’s almanac, historically a collection of long range weather forecasts, aphorisms and entertainment, to address issues radiating from climate change and the significance of the naming process in regards to a new epoch. Dimensions Variable 2016 Weather Pattern Pate de verre This piece was made to replicate a climate map, abstractions of real data made to be easily consumable by an audience. 48” x 32” x ½” 2016 Who Owns the Moon? (Detail) Blown and Mirrored Glass bottle with Ethanol, Blown and Mirrored Glass bottle with Methanol It is said that if you cook moonshine too long, it generates methanol which can make you blind as opposed to drunk. This piece is a reminder that whether claiming land on the earth or land on the moon, they are both versions of colonial projects. 10” x 10” x 4” 2016 2017 CGCA Fellow, Artists at WheatonArts, Kristen Neville Taylor | Kristen Neville Taylor Kristen Neville Taylor is an artist living and working in Philadelphia where she graduated with an MFA in Glass from [...]
2017, Creative Glass Fellow | Eamon DeFabbia-Kane Eamon DeFabbia-Kane is an artist and fabricator currently living in working inBrooklyn, NY. Here, he works in several different artist Read more